February 23, 2016
I had the great pleasure of “moderating” this panel on world-building over at the 49th Shelf! Panelists Silvia Moreno-Garcia, Leah Bobet, Corey Redekop, Kate Blair, and Adam Lewis Schroeder gave their perspectives on some world-building questions I fielded, with great results.
Writers, this goes above and beyond your usual “how to build a magic system” panel. These are some smart, literary speculative fiction writers with some really interesting insights on how a speculative world works, at its heart. I really recommend giving it a read!
February 8, 2016
I’m here to fess up. I have been a tremendously terrible person.
Last month, I went to a launch of Exile Editions’ latest anthology, Playground of Lost Toys (ed. Colleen Anderson & Ursula Pflug.) I didn’t really want to go. Lost Toys? I imagined an anthology of creepy dolly stories. And who were those editors, anyway? I went to the launch because I had friends in the anthology – sorry guys – that’s it.
I should have known better.
I’ve been familiar with Exile as a Canadian publisher for years, but up until a few years ago, I’d thought of them as a literary small press. They published Morley Callaghan and George Elliott Clarke; Leon Rooke and Daniel David Moses. Good ‘ol Canadian Literature. Not, frankly, my hat, but stuff we dutifully stocked at the store.
Then, out of nowhere, they published Dead North, an anthology of Canadian zombie stories. I thought this was super-weird, coming from Exile, but the cover art was so good that I overcame my boredom with zombies and bought it. I was pleasantly surprised: Dead North was a solid mix of literary and speculative fiction, zombie stories that did more work than just being gory thrill-rides. Then came Fractured, stories of the Canadian post-apocalypse. Another subject I thought had been done to death, but Dead North was good enough that I opted to give the creative team a chance. Fractured was another very solid book, managing to present original, literary work despite the well-trod path it started on.
Then came Playground, and, like I said, I thought the subject was silly. Despite loving the previous two anthologies, I let my prejudice rule my head. Toys are dumb! It’s probably all going to be horror, anyway. The publisher obviously doesn’t know anything about speculative fiction! Rawr, I am a jerk!
Well, the launch was amazing, for starters. Six readers, great stories, and one impromptu Bowie serenade. The food was good, there was beer, and my friends were there. I bought the book to be generous, but I read through it in two days. Fully half the stories made me laugh out loud, and I am a tough customer. The book was great. It looked so stupid (again, sorry) but it was great.
About a year ago, Exile put out a call for their next anthology: Clockwork Canada. Yep, Steampunk. And – you’d think I would know better by now – I rolled my eyes. Like, Steampunk, guys. Doesn’t Exile know this has been done to death? I know, I am the worst. Not a generous bone in my body. Only after I spoke with the editor, Dominik Parisien, did I even consider submitting, because he assured me they were looking for “Canadian alternative history of all kinds,” not just your usual airship stories. Yah, after four amazing anthologies, I still needed a tête-à-tête with the editor to convince me to even think about it.
Oh my God, am I ever glad I did. Dominik bought my offering, “La Clochemar” (no doubt because he had no idea what an asshole I had been about the whole Exile project,) and Exile managed to get us this ridiculously beautiful cover (right.) I am alongside some absolutely brilliant writers inside – writers who were probably far less diva about the whole thing than I was. All in all, the book seems set up to be another brilliant addition to what has been a brilliant series of speculative/lit short story anthologies. I… well, I am very excited.
Exile, Dominik – I am so, so sorry. You’ve never let me down! And look, people – here’s my pitch: we won’t let you down either. This is gonna be great.
You can pre-order Clockwork Canada now! It’s slated for release in early May 2016. Available from:
You can also drop us a note at our Goodreads page.
January 6, 2016
I’ve had quite a few links lately from readers looking for “La Héron,” my fairy-swashbuckling story from the March/April 2015 issue of F&SF. Here’s a quick PSA on that front:
When the March/April 2015 issue was new, the story was available to read free on Kindle. THIS IS NO LONGER THE CASE. To find the story now, you need to either rustle up a copy of the issue (available for sale through the F&SF website) OR, if you are an SFWA member, you can read it at the SFWA forums.
Why the SFWA privilege? Well, my pretties, that’s because “La Héron” is on the 2015 Nebula Suggested Reading List! I’m pretty pleased about this, and absolutely flattered that people are still interested all these months later. If you’re able, I hope you’ll read it! And if you like it, feel free to click the “suggest” thumb and encourage others to read it too! It will put a smile on someone’s face – even if it’s just mine.
January 4, 2016
I do enjoy statistics. I like to look at my accomplishments as sheer numbers, compare them year to year. Find the way of spinning them that makes me look best. 2015 was a rotten year personally, but maybe it wasn’t so bad from a writerly point of view?
In 2015, I submitted 10 stories 30 times. I sold 6 of these 10 stories, trunked 2, and continue to submit another 2. In 2014, I submitted roughly the same number of stories 76 times and only sold 4, so this is a distinct improvement.
In 2015, I read 14 novels. Much better than 2014’s “fewer than 10!” I also read scores of short stories, anthologies, and some Hesiod – the Theogony. A dozen of the novels I read this year were by women, half of those were women of colour. The other two novels were Jeff VanderMeer. My favourite book of the year was probably Hillary St. John Mandel’s Station Eleven, though Helen Oyeyemi’s Boy, Snow, Bird came close (the problematic ending ruined it,) as did Jo Walton’s Among Others (a wonderful, cozy book!) I’m starting 2016 mired in Herodotus’s Histories, though, so I don’t expect nearly so good a show of 2016.
In 2015, I attended my first two conventions as a panelist (Ad Astra & SFContario) and did my first “author reading” at the former. I published reviews at Apex Magazine, Publisher’s Weekly, and the Quill & Quire. I ran the Friends of the Merril Short Story Contest once again. I was invited to submit to my first two (!) anthologies. I did a SFSignal Mind Meld, was on io9, and went out to more book launches & SpecFic talks than I have ever been to before in my life, ever, total. I did a whole bunch of interviews and was even File 770‘ed, which was cool. I got around.
In 2015, I wrote 40,000 words of new fiction and another 17,000 words of non-fiction. I completed 3 new short stories and made significant headway on another two. This despite nearly three full months without writing a word. I’ll take it. It will do.
In 2015, I slowed down, but I did not stop. I like statistics because they give me something concrete to look at. My feeling will always be that I did nothing or, at least, not enough. But looking at the numbers, I feel better. If 2016 is at least this successful, I will be satisfied.
May 2016 be even better.
December 31, 2015
Let’s get the statistics out of the way! 2015 was a solid year for you. What did you publish, and what have you got ahead of you?
Thanks! Yes, 2015 was weirdly consistent from a publishing point of view. I published five short stories – ‘The Will of Parliament’, The Sockdolager, Winter 2015, ‘Eleusinian Myseries’, Luna Station Quarterly #23, September 2015, ‘The Posthuman Condition’, Kaleidotrope Summer 2015, ‘Sigrid Under the Mountain’, The Sockdolager Summer 2015, and ‘La Héron, The Magazine of Fantasy & Science Fiction‘ March/April 2015. I also sold two more, forthcoming in 2016: ‘More Heat than Light’ to The Magazine of Fantasy & Science Fiction and ‘La Clochemar’ to an anthology, Clockwork Canada.
You were busy!
That’s the weird part: I wasn’t. I actually had a horrifying personal year and spent a lot of time depressed, in shock, and unable to work. My relationship was on the rocks, I lost my daycare subsidy and had to pull my kids out, was forced to drop to working part time, found a strange lump on my daughter’s neck, lost editorial work, learned way more than I wanted to about the mental healthcare system, the children’s aid society, and substance abuse; and got poison ivy – in my eye. Everything is a lot better now, but for a while there it was everything I could do to just get out of bed, feed my kids & show up to work. Write? Submit? Ha!
And yet, I sold more stories than I ever have before. And I sold them more quickly and easily, to better venues, than ever before.
Your craft must be improving!
Well, maybe. All of my “pro” sales were new stories – written in late 2014 or early 2015. Maybe these were better than the stories I wrote in 2013 and 2014. But most of them – including the stories I am most in love with and most proud of – are old. They’d been submitted 10-20 times. I’d trunked some of them, sure they’d never sell. And yet.
Maybe. Swing enough times and, statistically, you’ll hit, right?
But something was different this year. The same stories that were form-rejected in 2013 mysteriously bypassed the slush pile and landed me sweet, thoughtful personal rejections from the top editors in the field in 2015. I had one story go from submission to published inside of a month.
And the best part? 4/5 stories I published this year were the “featured” stories from the issues they appeared in. My work was singled out by editors, reviewers, and readers. 2014 was the year of feeling lucky, or maybe like someone had made a mistake. In 2015, I started to hope I deserved the attention I was getting.
I think I see where you are going with this.
In Toronto, we have an arts grant that is earmarked for “emerging” writers. I used to think that was an odd designation – emerging. Because you had to have several professional sales in order to qualify as “emerging.” I thought of “emerging” as being a butterfly half-cracked out of its cocoon, or a baby that’s crowned but not delivered. Emerging. Not yet emerged. All writers are emerging. Surely a writer with pro credits has emerged?
I see now that “emerging” means something else. It’s a designator of momentum. It means “on the rise.” It has nothing to do with how much you have or haven’t written. It isn’t even an indicator of talent or success. It’s a muddier thing, a sort of metacultural sense that, at some point, you will break through. It draws the eye. Arts organizations like to invest in it. Publishers want to get in on it. Other people want to be associated with it, in the hopes it will drag them along in its wake.
That sounds powerful. So, you think you are “emerging”?
Well, not necessarily. I don’t think it’s the sort of thing that is or isn’t, but I could see it this year. I was close enough to glimpse it and feel its effects on my career.
Do you think you will continue to “emerge” in 2016?
I hope so. Traditionally, I am pretty strategic in my approach to – well, anything. I’ll capitalize on anything I can get hold of and leverage. Traditionally.
But I tell you what throws a wrench in that kind of ambition: depression. In my case, ambition is powered by a combination of hubris, manic energy, and a reckless love of new experiences. Depression is like descending to the bottom of the Marianas Trench. Everything is dark, oppressive, and heavy. You try to work yourself up, but it’s like wading through shoulder-deep mud. Nothing moves fast enough. Nothing sparkles. You get tired and need to lie down.
People talk about self-care, about just burying yourself in blankets, drinking tea, and binge-watching Outlander. But some days I feel like there’s a shooting star passing right over my head, and if I got out my net, I could hook it and ride it to somewhere amazing. But I’m mired in sludge, my limbs are too heavy, and I won’t get unstuck in time to catch it…
You’re starting to make me uncomfortable.
Ha! Sorry. But let’s face it: this is a conflict a lot of creative people feel. Madness and art has gone hand in hand for millennia, and I don’t know many creative people who don’t also struggle with one form or another of mental illness. A lot of us feel like our neurodifferences are what give us that creative spark and treating it can be scary. But the lows can be equally devastating. And all the while, the creative markets want the wildest, maddest parts of us. Those years when we are at our worst might produce some of our best work.
Where are you at right now? Producing your best work at your worst, or taking care of yourself?
I’m hoping to prove to myself that it doesn’t have to be either/or. I’m doing a lot better now. I’ve finished two new stories for submission and just started a new La Héron story that I love already. I feel like the act of just settling into a good story, not worrying about whether it will be publishable or “what people want”, is self-care in and of itself. One of my new stories is 100% catharsis – and I love it. Wouldn’t it be great if my best work was the stuff that makes me feel better?
Your work has never struck me as being very touchy-feely.
No, no, it isn’t. What makes me feel better isn’t tea and blankets – it’s kicking my problems in the face. There is a lot of ass-kicking in my catharsis.
I know, right?
Do you have any resolutions for 2016? Where do you expect to be on January 1st, 2017?
I think my resolutions are probably going to be the same as they were for 2015 – only maybe I will succeed this time. Write more, read more, focus.
And January 1st, 2017? I expect to be here, doing exactly this. Though, maybe with a lottery win or an awards nod under my belt. How about it, life? *wiggles eyebrows* Come at me, 2016.
Charlotte Ashley is a writer, editor, and bookseller in Toronto, Canada. When she isn’t interviewing herself or engaging in her three professions, she is managing the affairs of her two genius daughters, training at parkour, playing Hearthstone, baking, and starting ill-fated secret societies. She really appreciates being solicited for submissions, interviews, and opinions. She can be reached at firstname.lastname@example.org.
June 29, 2015
June 2015: I have to remember this month. It has been a serious banner month for me as a writer, and I’m only just beginning to really digest it all!
I’ve had two stories published!
The first, “Sigrid Under the Mountain,” is in the Summer 2015 issue of The Sockdolager. This is a light and funny story about a feisty and rather cranky woman just trying to live an ordinary life in a world filled with magic, monsters, heroes and villains. “What’s the point of marrying a great, celebrated hero if he won’t even keep kobolds from harrying your cow?” Indeed.
The second, “The Posthuman Condition,” is in the Summer 2015 issue of Kaleidotrope. This is the story of Jesse, an unpaid intern at a transhumanist nightclub, having the worst night of her life. It lands somewhere between splatter horror and cyberpunk with a dose of myth thrown in. TW: suicides. “The God of Post-Man: Who Chooses the Posthuman Condition? A Folly by Jesse Bauman. And Friends.”
I’ve also sold three short stories this month!
I have sold my alt-history Revolutionary-era Quebec novelette, “More Heat Than Light,” to The Magazine of Fantasy & Science Fiction. This will be my second appearance in F&SF and I’m OVER THE MOON about it. Publication date unconfirmed, but possibly early 2016.
I sold another alt-history, “Eleusinian Mysteries,” to Luna Station Quarterly.This is the story of a Javanese-Dutch mapmaker who discovers a map of a city on the moon, and a secret Dutch East India Company plan to travel there. Publication date September 2015.
The third sale is still a secret, but I hope the TOC will be announced soon! I like having announcements. This is a thing I could serious get used to…
March 31, 2015
The F&SF blog has posted an interview with me about my piece “La Heron”. This one was really fun to answer and gave me a chance to rant a little about women in martial cultures, high vs low literature, the total plausibility of brawling nuns, and so on. Anything pique your interest? Comment here or there! I like discussions.
March 19, 2015
I will be at Ad Astra Toronto next month – April 10th-12th 2015 – participating as much as I could possibly manage to participate, so as to maximize the fun I will get out of this, the rare convention I am actually able to attend.
My panel and reading schedule is as follows:
Deconstruction: What Happens When You Take Tropes Apart
Friday, April 10th, 7:00 PM – 8:00 PM
Panellists: Gail Z. Martin, KW Ramsey, Leah Bobet, Me
Genre fiction thrives on tropes, from the stalwart hero, the damsel into distress, and all the way to the nefarious villain, but what happens when a show takes those tropes and turns them on their head. Join us as we discuss how and why to do this and examine when it’s done right and when it’s done wrong.
Giving It Away For Free: But You’ll Get Great Exposure!
Saturday, April 11th, 10:00 AM – 11:00 AM
Panellists: Chantal Parent, Chris Warrilow, Erik Mohr, Me
“I’ve got a cousin who could do that for peanuts, why should I pay you so much?” Sound Familiar? Advice and anecdotes from professionals who have been treated unprofessionally.
Genre Crossing: Please Watch for Slow Moving Pathetic Fallacies
Saturday, April 11th, 12:00 PM – 1:00 PM
Panellists: Ada Hoffmann, Karina Sumner-Smith, Nancy Kilpatrick, Me
Sometimes you just want to read, write or direct a paranormal romance during the robot uprising on the medieval planet of urban fariy hipsters.
New Toronto/Ontario Writers Reading
Saturday, April 11th, 1:00 PM – 2:00 PM
Panellists: Elaine Chen, Malon Edwards, Tonya Liburd, Me
Four up-and-coming Toronto writers will be reading from their newly-published work.
How to Sell SF to General Readers as Literature
Saturday, April 11th, 4:00 PM – 5:00 PM
Panellists: Derek Kunsken, Erik Mohr, Leah Bobet, Me
It is nearly impossible to get a non-genre reader to even look at a book – much less read it – unless HBO has kidnapped it for a mini-series. So how do you prove that SF/F is more than pulpy star-ships and elves with perfect hair?
Interactive Fiction: No Coding required!
Sunday, April 12th, 12:00 PM – 1:00 PM
Panellists: Alice Black, Leah Bobet, Matthew Johnson, Me
Thanks to tools like Storium and Twine, the ability to make interactive stories is now available to everyone. Find out how to get started without having to write a single line of code.
Intersection Between SF and Contemporary Issues
Sunday, April 12th, 4:00 PM – 5:00 PM
Panellists: Adam Shaftoe, Cathy Hird, Derek Newman Stilles, Me
Panelists discuss SF stories that take on problems of the present, and old SF that has incidentally come back around to address what ails society today.
And just a reminder that I am that rare thing – an extroverted writer – so don’t be shy about coming to talk to me at the Con! As you can see, I like conversation.
February 25, 2015
Today’s best news ever? My swashbuckling historical fantasy, “La Héron”, just went up on Amazon! So while I encourage you strongly to subscribe to F&SF in print (because it is awesome,) or seek out the issue in your local book or magazine store (then take a picture and send it to me!) – you can also download it as a Kindle Digest edition for free from Amazon right here.
The come back here and let me know what you thought, yes? 😉
December 23, 2014
I love to hear about publishing progress. To be honest, it makes me feel 300% better about every bloody nose and concussion I get knocking my head against publishing’s thick stone walls. Nobody writes perfect, publishable material every single time – so we’re told. It helps me to see in concrete terms how often a respected author is rejected, how often they have to revise, and how often they have to put a piece into a runed iron box, bury it, salt the land, and move away. It helps to know you can face a lot of failure and still see respectable success afterwards.
I am only in my second year of submitting stories, but I want to share my numbers anyway. Compare and feel stronger, my lovelies. It takes a lot of swings – and a lot of misses – to finally hit.
In 2014 I submitted a dozen or so short stories 76 times to magazines, websites, or anthologies. 45 of them were form-rejected, but another 26 merited very nice, encouraging rejections.
Two of my favourite pieces are now on their 14th and 16th submissions. They’ve changed a lot from the first, but I still love them even if nobody else does – yet.
My newest piece is only on its 3rd submission. The piece before that – ‘La Héron’ – was sold on its 6th try to a venue who had rejected it two months earlier. I like to think this shows improvement in my writing.
I sold 4 stories in 2014. 1 of these was sold at pro (according to the SFWA) rates. Another was for semi-pro. Both were ten-fold or more improvements on my previous best sale.
In 2014, I had 3 stories published. My daughter told her friends at school I was a “famous author” and took one of my anthologies for show & share to prove it. My first true fan! I participated in my first panel at the Toronto Public Library and gave my first interview where I only lied a couple of times.
My reviews not only appeared in Apex Magazine on a bi-weekly basis, but in Canada’s biggest national literary review, the Quill & Quire. I participated in some literary list-making over at the 49th Shelf and a round-table on Con-going at SFSignal.
As if that wasn’t enough, I also edited novels, novellas, and short stories, a cookbook and a boardgame manual for a dozen clients. I threw myself into a very intensive short story workshop with Mary Robinette Kowal. I participated in a 6-week “Artsy Games Incubator” for writers with the Hand Eye Society and published my first piece of interactive fiction, Utopia. I took over as Contest Administrator for the Friends of the Merril Short Story Contest. I even edited a volume of short stories for charity, Chamber of Music.
2014 has been an incredible year of firsts for me. 2015 will, hopefully, be the year I solidify my ground. Where does this path go? I have no idea! But I’m on it, so I’ll find out and let you know when I do.
Oh, and one last thing: I finally set up a Page on Facebook for my writerly doings. Drop in and throw me a like! There’s no communication like two-way communication!
Onwards to 2015!