October 24, 2016
Okay, DON’T PANIC. It isn’t November yet. We are all still living, physically, in October – scrambling for last-minute Halloween costumes, buying Dollarama Halloween decor for everyday living [mugs and candlesticks AMIRITE] – but my brain has been in November for months now. I’ve got publications, shows, conventions, more shows, and a workshop coming up. The dreary rains of November have never seemed so exciting – for me.
A New Story @ F&SF!
I have a new short story out in a week! “A Fine Balance” is the story of two perfectly-matched legendary duelists who find their rivalry is being meddled with by persons unknown. Chases, escapes, daring duels and miraculous feats! You know, the usual. Over at Tor.com, Haralambi Markov says:
“A Fine Balance” has taken all that made “La Héron” exceptional, perfected it, and distilled it.
The Nov/Dec 2016 issue of F&SF should hit newsstands everywhere on November 1st!
Reading at SFContario 6!
Can’t find a copy of F&SF in time? I will be reading “A Fine Balance” at this year’s “Fannish Stone Soup” iteration of SFContario. I will be there on Saturday, November 19th 2016 as well as, probably, the meet-and-greet on Friday.
In addition to reading, I will be talking a little bit about physicality in SFF literature, exploring how we can use action to talk about broader themes of ableism, militarism, gender roles, bullying, and more. Come on out – this should be an intimate and chatty little gathering. Just some fun.
A New Work – With Music!
I will be debuting a new story, “Distant Skies,” in collaboration with The Junction Trio, on Wednesday, November 16th 2016 at 7:30pm, St. Anne’s Anglican Church (270 Gladstone Ave. Toronto.) I will perform this story live as a dramatic reading and concert, featuring the chamber music of the Junction Trio, a new composition by Ivana Popovic, and a guest theremin player!
Marrit Shaw’s life was promised to others centuries ago. Genetic, heritable contracts called “body promises” haunt every decision she makes. What choices are truly her own, and which were coded into her by her forefathers? Marrit is determined to fight to keep her people free from their genetic obligations, but looming on the horizon is her body promise to a generation ship which has just returned from a 200-year voyage.
Follow the Junction Trio on Facebook for more on them and their work!
And If You Miss The First Show…
We will be performing “Distant Skies” a SECOND TIME! The second performance will be held at CrossFit Lugal (1331 St. Clair Ave. West, Toronto) as part of the Festival of House Culture on Saturday, November 26th, 2016 @ 5pm. This performance might just make a little more use of the space, and involve a bit of an acrobatic element. WE WILL SEE. 😉
Writing Workshop + Culture!
And finally… also as part of the Festival of House Culture, I will be running a small writing workshop on Friday, November 25th, 2016 (location TBA.) Here’s the pitch:
Bring your works in progress to this 2h writing workshop hosted by editor, critic, bookseller, and author, Charlotte Ashley!
Your host will read, anonymously, the first 250 words (approximately 1 page) of each manuscript out loud. Participants will then be invited to provide friendly and constructive feedback, led and moderated by the host. Issues of style, craft, and marketability will all be addressed. Come ready to ask questions and share experiences!
We will conclude with a general question and answer session, addressing a writer’s life, from outlining to publication. Writers of all levels, genres, styles, and mediums are encouraged to attend!
The writing workshop will likely be paired with another House Culture performer, so in addition to some writing work & talk, you will get some [probably musical] entertainment as well. I don’t see how this can go wrong!
Phew! Right? Yah, I’m a busy bee. But I like it that way. As ever, I’m always happy to hear from people in the comments or by email. Don’t be shy – I am people people!
July 27, 2016
I have a confession about podcasts:
I have never listened to a podcast.
I want to, I really do. I have no objection to the medium. I have so many wonderfully talented friends who have established themselves as serious, successful podcasters and I would love to listen to their art. But my life has become an audio-free zone – I work in a bookstore that is frequently mistaken for a library; quiet and solemn as a monastery. I commute with children and need to be alert and unplugged so as not to lose them. I somehow fell through the technological cracks when radios and CDs went out of style, and I have no way of streaming audio in my home. I have downloaded gigabytes of podcasts onto my (silent, muted) laptop, optimistically filing them away to be listened to “eventually”, but here I am, a 20-year veteran of the internet, and I have never listened to a single one.
That is going to change, because I have just sold the audio rights to “La Héron”.
Yeppers! The ink is fresh on the contract. The story that first appeared in the March/April 2015 issue of F&SF, will soon be produced by PodCastle in audio form! Date and narrator tbd (watch this space) but you had better believe I am going to go out of my way to listen to this one. I will rent the headphones if I have to.
Speaking of “La Héron”, the voting period has closed for the Aurora Awards. The final tally will be announced at When Worlds Collide/Canvention 36 in Calgary, AB the weekend of August 12-14th, 2016. Thank you to all of you who nominated me, and even bigger thanks if you voted for me! I am as excited as hell for my pin, to say nothing of any hopes of winning.
In case you missed it, “La Héron” was also selected by the Sunburst Awards jury for the shortlist! No voting involved here: the decision is now in the hands of the judges. The Sunburst winners will be announced September 14th, 2016. Squee!
June 16, 2016
It’s heeeeeere! Voting for the Prix Aurora Awards has finally opened, and I get to go make ticky-marks next to some of my best, most favourite people in Canadian SFF. And you could too – actually, AS A MATTER OF FACT – you have now the rare opportunity to put a ticky-mark next to me! My short story, “La Héron“, is up for Best Short Story-English.
Between now and midnight EST on July 23rd, 2016, you can download the voter’s packet & vote for the best of Canadian SFF if you are a CSFFA member. Just visit http://www.prixaurorawards.ca/, log in to your account (or, hell, join and make an account) and play along. The awards will be given out at When Worlds Collide in Calgary, Alberta the weekend of August 12-14th, 2016.
Speaking of Canadian awards… “La Héron” has also been longlisted for the Sunburst Award in their new short fiction category! The short list will be announced July 5th, and the winners September 14th. The list is spectacular, including some of the best writers in the world, full-stop. There’s nothing you can do to help my chances here, but thank you for asking. I’ll have my fingers crossed at home.
April 24, 2016
This weekend, I will be at Ad Astra 2016 in Richmond Hill, Ontario. This is a really fun local genre con with a focus on literature – busy, family-friendly, and well-run! I will be there the whole weekend, but if you need to nail me down more exactly, here is where I can be found:
Don’t be a stranger – if you see me, say hi!
April 20, 2016
It’s funny: I am phenomenally good at reporting trivial news. If a customer buys me a coffee? I come home gibbering to my partner like I won the lottery. I will tell anyone I meet about how my daughter learned to do a handstand. My new kitchen faucet? Don’t get me started. This is a BIG DEAL. It’s CLEAN and SHINY and CHROME. You won’t believe it, this faucet.
Big news? The act of passing it along gives me a kind of performance anxiety. If the faucet’s deserving of the operatic treatment, what is left for a kitchen renovation?
I didn’t renovate my kitchen. But I was nominated for an Aurora Award.
So that’s the first thing. I am incredibly excited, despite my subdued appearance, that “La Héron” will be one of the six finalists for “Best English Short Fiction“. The awards will be given out at Canvention 36, hosted by When Words Collide in Calgary, Alberta on the weekend of August 12-14th 2016.
I don’t think I will be there unless a Mysterious Benefactor wants to pony up for a plane ticket, but I will be cheering from a distance. I will also be voting! All CSFFA members are allowed to vote for their favourites in each category. And if you don’t know who to vote for? There will be a voter’s packet released to members by June 15th 2016. “La Héron” will be in the packet; one more way to read the story for free.
So let me tell you about May.
I have two stories coming out on May 1st. The first, “La Clochemar”, is in Clockwork Canada ed. Dominik Parisien. In celebration, I will be attending two – count ’em, TWO – launches in early May. The first will be at Ad Astra on Friday, April 30th, 9pm-11pm, in the Sheraton Parkway Toronto North Hotel. All the cool kids will be there, so hopefully you will be too.
The second will be the publisher’s launch on Tuesday, May 10th at the Supermarket Restaurant & Bar in Toronto. Even MORE cool kids will be there. I will be reading from my story at both events.
My novelette “More Heat Than Light” is out next month in the May/June 2016 issue of The Magazine of Fantasy & Science Fiction! Welcome to an alternative Republic of Quebec, where the French Revolution was taken up enthusiastically by the new colony’s many residents. But hostilities against the English continue, and the wilderness is full of very large, very hungry critters who are waiting for this precarious new world order to come crashing down…
The issue should hit newsstands May 1st, at which time you can buy it in stores or in e-format from Amazon.
And finally, a sale. F&SF has also offered to be a home for my newest swashbuckling romp, “A Fine Balance.” This is the tale of two perfectly-matched legendary duellists who find their rivalry is being meddled with by persons unknown. Chases, escapes, daring duels and miracle feats! You know, the usual.
The release date is TBA, but hopefully I will make that announcement more promptly than I have managed to make those above.
Crazy, hey? Thanks for catching up with me!
March 7, 2016
Alright, me and every other writer, right? Well, we all deserve them, I think; but the power to crown us with laurels is in your hands. Enter Up and Coming.
Compiled by S.L. Huang & Kurt Hunt, Up and Coming contains 230 short science fiction/fantasy stories by 120 different writers, all of whom are eligible for this year’s John W. Campbell Award for Best New Writer. The Campbell is not strictly a Hugo Award, but it is given out at the same time. Anyone who made their jump to professional writing in the last year or two is eligible. Up and Coming is FREE to download up until March 31st, 2016 – then it will VANISH FOREVER (probably.)
Two of my stories, “La Héron” and “Sigrid Under the Mountain,” are in Up and Coming and yes, I am eligible for the Campbell. But I hope you’ll consider me beyond that.
Canadians, I hope you will consider “La Héron” for the Aurora Award – Short Fiction. Nominations for the Aurora are open until MARCH 19TH, 2016. To nominate me (and/or anyone else you deem deserving,) you must be a member of the Canadian Science Fiction & Fantasy Association. You can join, add to the eligibility list, nominate and vote at http://www.prixaurorawards.ca/aurora-awards/nominate/.
As a final note: Up and Coming is the only place to get “La Héron” free online! Grab it now while you can!
February 8, 2016
I’m here to fess up. I have been a tremendously terrible person.
Last month, I went to a launch of Exile Editions’ latest anthology, Playground of Lost Toys (ed. Colleen Anderson & Ursula Pflug.) I didn’t really want to go. Lost Toys? I imagined an anthology of creepy dolly stories. And who were those editors, anyway? I went to the launch because I had friends in the anthology – sorry guys – that’s it.
I should have known better.
I’ve been familiar with Exile as a Canadian publisher for years, but up until a few years ago, I’d thought of them as a literary small press. They published Morley Callaghan and George Elliott Clarke; Leon Rooke and Daniel David Moses. Good ‘ol Canadian Literature. Not, frankly, my hat, but stuff we dutifully stocked at the store.
Then, out of nowhere, they published Dead North, an anthology of Canadian zombie stories. I thought this was super-weird, coming from Exile, but the cover art was so good that I overcame my boredom with zombies and bought it. I was pleasantly surprised: Dead North was a solid mix of literary and speculative fiction, zombie stories that did more work than just being gory thrill-rides. Then came Fractured, stories of the Canadian post-apocalypse. Another subject I thought had been done to death, but Dead North was good enough that I opted to give the creative team a chance. Fractured was another very solid book, managing to present original, literary work despite the well-trod path it started on.
Then came Playground, and, like I said, I thought the subject was silly. Despite loving the previous two anthologies, I let my prejudice rule my head. Toys are dumb! It’s probably all going to be horror, anyway. The publisher obviously doesn’t know anything about speculative fiction! Rawr, I am a jerk!
Well, the launch was amazing, for starters. Six readers, great stories, and one impromptu Bowie serenade. The food was good, there was beer, and my friends were there. I bought the book to be generous, but I read through it in two days. Fully half the stories made me laugh out loud, and I am a tough customer. The book was great. It looked so stupid (again, sorry) but it was great.
About a year ago, Exile put out a call for their next anthology: Clockwork Canada. Yep, Steampunk. And – you’d think I would know better by now – I rolled my eyes. Like, Steampunk, guys. Doesn’t Exile know this has been done to death? I know, I am the worst. Not a generous bone in my body. Only after I spoke with the editor, Dominik Parisien, did I even consider submitting, because he assured me they were looking for “Canadian alternative history of all kinds,” not just your usual airship stories. Yah, after four amazing anthologies, I still needed a tête-à-tête with the editor to convince me to even think about it.
Oh my God, am I ever glad I did. Dominik bought my offering, “La Clochemar” (no doubt because he had no idea what an asshole I had been about the whole Exile project,) and Exile managed to get us this ridiculously beautiful cover (right.) I am alongside some absolutely brilliant writers inside – writers who were probably far less diva about the whole thing than I was. All in all, the book seems set up to be another brilliant addition to what has been a brilliant series of speculative/lit short story anthologies. I… well, I am very excited.
Exile, Dominik – I am so, so sorry. You’ve never let me down! And look, people – here’s my pitch: we won’t let you down either. This is gonna be great.
You can pre-order Clockwork Canada now! It’s slated for release in early May 2016. Available from:
You can also drop us a note at our Goodreads page.
January 4, 2016
I do enjoy statistics. I like to look at my accomplishments as sheer numbers, compare them year to year. Find the way of spinning them that makes me look best. 2015 was a rotten year personally, but maybe it wasn’t so bad from a writerly point of view?
In 2015, I submitted 10 stories 30 times. I sold 6 of these 10 stories, trunked 2, and continue to submit another 2. In 2014, I submitted roughly the same number of stories 76 times and only sold 4, so this is a distinct improvement.
In 2015, I read 14 novels. Much better than 2014’s “fewer than 10!” I also read scores of short stories, anthologies, and some Hesiod – the Theogony. A dozen of the novels I read this year were by women, half of those were women of colour. The other two novels were Jeff VanderMeer. My favourite book of the year was probably Hillary St. John Mandel’s Station Eleven, though Helen Oyeyemi’s Boy, Snow, Bird came close (the problematic ending ruined it,) as did Jo Walton’s Among Others (a wonderful, cozy book!) I’m starting 2016 mired in Herodotus’s Histories, though, so I don’t expect nearly so good a show of 2016.
In 2015, I attended my first two conventions as a panelist (Ad Astra & SFContario) and did my first “author reading” at the former. I published reviews at Apex Magazine, Publisher’s Weekly, and the Quill & Quire. I ran the Friends of the Merril Short Story Contest once again. I was invited to submit to my first two (!) anthologies. I did a SFSignal Mind Meld, was on io9, and went out to more book launches & SpecFic talks than I have ever been to before in my life, ever, total. I did a whole bunch of interviews and was even File 770‘ed, which was cool. I got around.
In 2015, I wrote 40,000 words of new fiction and another 17,000 words of non-fiction. I completed 3 new short stories and made significant headway on another two. This despite nearly three full months without writing a word. I’ll take it. It will do.
In 2015, I slowed down, but I did not stop. I like statistics because they give me something concrete to look at. My feeling will always be that I did nothing or, at least, not enough. But looking at the numbers, I feel better. If 2016 is at least this successful, I will be satisfied.
May 2016 be even better.
December 31, 2015
Let’s get the statistics out of the way! 2015 was a solid year for you. What did you publish, and what have you got ahead of you?
Thanks! Yes, 2015 was weirdly consistent from a publishing point of view. I published five short stories – ‘The Will of Parliament’, The Sockdolager, Winter 2015, ‘Eleusinian Myseries’, Luna Station Quarterly #23, September 2015, ‘The Posthuman Condition’, Kaleidotrope Summer 2015, ‘Sigrid Under the Mountain’, The Sockdolager Summer 2015, and ‘La Héron, The Magazine of Fantasy & Science Fiction‘ March/April 2015. I also sold two more, forthcoming in 2016: ‘More Heat than Light’ to The Magazine of Fantasy & Science Fiction and ‘La Clochemar’ to an anthology, Clockwork Canada.
You were busy!
That’s the weird part: I wasn’t. I actually had a horrifying personal year and spent a lot of time depressed, in shock, and unable to work. My relationship was on the rocks, I lost my daycare subsidy and had to pull my kids out, was forced to drop to working part time, found a strange lump on my daughter’s neck, lost editorial work, learned way more than I wanted to about the mental healthcare system, the children’s aid society, and substance abuse; and got poison ivy – in my eye. Everything is a lot better now, but for a while there it was everything I could do to just get out of bed, feed my kids & show up to work. Write? Submit? Ha!
And yet, I sold more stories than I ever have before. And I sold them more quickly and easily, to better venues, than ever before.
Your craft must be improving!
Well, maybe. All of my “pro” sales were new stories – written in late 2014 or early 2015. Maybe these were better than the stories I wrote in 2013 and 2014. But most of them – including the stories I am most in love with and most proud of – are old. They’d been submitted 10-20 times. I’d trunked some of them, sure they’d never sell. And yet.
Maybe. Swing enough times and, statistically, you’ll hit, right?
But something was different this year. The same stories that were form-rejected in 2013 mysteriously bypassed the slush pile and landed me sweet, thoughtful personal rejections from the top editors in the field in 2015. I had one story go from submission to published inside of a month.
And the best part? 4/5 stories I published this year were the “featured” stories from the issues they appeared in. My work was singled out by editors, reviewers, and readers. 2014 was the year of feeling lucky, or maybe like someone had made a mistake. In 2015, I started to hope I deserved the attention I was getting.
I think I see where you are going with this.
In Toronto, we have an arts grant that is earmarked for “emerging” writers. I used to think that was an odd designation – emerging. Because you had to have several professional sales in order to qualify as “emerging.” I thought of “emerging” as being a butterfly half-cracked out of its cocoon, or a baby that’s crowned but not delivered. Emerging. Not yet emerged. All writers are emerging. Surely a writer with pro credits has emerged?
I see now that “emerging” means something else. It’s a designator of momentum. It means “on the rise.” It has nothing to do with how much you have or haven’t written. It isn’t even an indicator of talent or success. It’s a muddier thing, a sort of metacultural sense that, at some point, you will break through. It draws the eye. Arts organizations like to invest in it. Publishers want to get in on it. Other people want to be associated with it, in the hopes it will drag them along in its wake.
That sounds powerful. So, you think you are “emerging”?
Well, not necessarily. I don’t think it’s the sort of thing that is or isn’t, but I could see it this year. I was close enough to glimpse it and feel its effects on my career.
Do you think you will continue to “emerge” in 2016?
I hope so. Traditionally, I am pretty strategic in my approach to – well, anything. I’ll capitalize on anything I can get hold of and leverage. Traditionally.
But I tell you what throws a wrench in that kind of ambition: depression. In my case, ambition is powered by a combination of hubris, manic energy, and a reckless love of new experiences. Depression is like descending to the bottom of the Marianas Trench. Everything is dark, oppressive, and heavy. You try to work yourself up, but it’s like wading through shoulder-deep mud. Nothing moves fast enough. Nothing sparkles. You get tired and need to lie down.
People talk about self-care, about just burying yourself in blankets, drinking tea, and binge-watching Outlander. But some days I feel like there’s a shooting star passing right over my head, and if I got out my net, I could hook it and ride it to somewhere amazing. But I’m mired in sludge, my limbs are too heavy, and I won’t get unstuck in time to catch it…
You’re starting to make me uncomfortable.
Ha! Sorry. But let’s face it: this is a conflict a lot of creative people feel. Madness and art has gone hand in hand for millennia, and I don’t know many creative people who don’t also struggle with one form or another of mental illness. A lot of us feel like our neurodifferences are what give us that creative spark and treating it can be scary. But the lows can be equally devastating. And all the while, the creative markets want the wildest, maddest parts of us. Those years when we are at our worst might produce some of our best work.
Where are you at right now? Producing your best work at your worst, or taking care of yourself?
I’m hoping to prove to myself that it doesn’t have to be either/or. I’m doing a lot better now. I’ve finished two new stories for submission and just started a new La Héron story that I love already. I feel like the act of just settling into a good story, not worrying about whether it will be publishable or “what people want”, is self-care in and of itself. One of my new stories is 100% catharsis – and I love it. Wouldn’t it be great if my best work was the stuff that makes me feel better?
Your work has never struck me as being very touchy-feely.
No, no, it isn’t. What makes me feel better isn’t tea and blankets – it’s kicking my problems in the face. There is a lot of ass-kicking in my catharsis.
I know, right?
Do you have any resolutions for 2016? Where do you expect to be on January 1st, 2017?
I think my resolutions are probably going to be the same as they were for 2015 – only maybe I will succeed this time. Write more, read more, focus.
And January 1st, 2017? I expect to be here, doing exactly this. Though, maybe with a lottery win or an awards nod under my belt. How about it, life? *wiggles eyebrows* Come at me, 2016.
Charlotte Ashley is a writer, editor, and bookseller in Toronto, Canada. When she isn’t interviewing herself or engaging in her three professions, she is managing the affairs of her two genius daughters, training at parkour, playing Hearthstone, baking, and starting ill-fated secret societies. She really appreciates being solicited for submissions, interviews, and opinions. She can be reached at email@example.com.
July 17, 2015
I have, admittedly, been trying to turn my kids into nerds since slightly before they were born. Comics and graphic novels have been part of our bedtime routine since before they were age-appropriate, and there was a mushy time a year or so ago where it looked like my intentions had backfired and the elder child was having nightmares about Bone‘s rat creatures. (I am not the world’s best mom – maybe only second or third best.)
But this year, all of those sewn seeds have taken root and flowered in a most spectacular way. It helps that the comic market for the under-ten set has exploded. It also helps that some of the best and brightest comic creators in the world are trying their hands at children’s picture books with wonderful results. Even mega-best-selling and award-winning children’s book franchises like Mo Willem’s Piggie and Gerald books are essentially gateways into comics. You’d have to be childless under a rock not to be swept into – well, not just comics, but excellent comics.
I brought my two daughters – now 7 and 4 – to the Toronto Comics Arts Festival this year, where for the first time they led the way. They spent every penny of their own hard-earned money on books, sketches, bookmarks and buttons. We still have books on the shelf we haven’t tried yet, distracted, as they are, by their favourites.
I’ve learned a lot. #1 thing is that what I like and what they like are two very different things. This sometimes leads to fights at storytime, power struggles over whether we’re going to read Moomintrolls or whether I have to drag myself through Power Ponies again. Nevertheless we agree on a number of gems, a lot of them new, so I’ve assembled a little roundup below.
Kid’s Rating – 5 stars
Mom’s Rating – 5 stars
These are short, simple and thoroughly tongue-in-cheek comics about the titular hero (played by Kochalka’s cat, Spandy) and her self-appointed sidekick, Spoony-E (played by Kochalka’s son.) I was reluctant to buy them because they didn’t seem to have much substance to them, but they are hilarious. Good old slapstick, absurd premises taken seriously, and innocent fun make this pretty much the ideal small-child indie.
Kid’s Rating – 3 stars
Mom’s Rating – 4 stars
I wanted to like this one. A high-fantasy adventure starring a stubborn, resourceful girl of colour with a pet dragon and a mission to save her sisters? Sign me up!
And it is amusing – for me. The kids? Well, the younger one liked the dragons and action. But most of it went right over their heads. Princeless draws a lot of its humour from subverting existing Disney/comic/fantasy tropes about the roles of women and princesses – tropes my kids know nothing about. The idea that a princess needs a prince to come save her? Yup, my kids heard it first here. It’s possible that kids better-acquainted with Disney will get the jokes, but mine were just lost.
Kid’s Rating – 4 stars
Mom’s Rating – 3.5 stars
This is a beautiful book. So beautiful that my kids refused to read it for the first few months because the strange creatures and eerie setting were “scary.” I was enchanted and eventually just started reading it myself, and, like cats, my children wound up on my lap reading along. They loved it.
But a few pages in, I found myself frustrated with the storytelling. The plot moves too fast and there isn’t a lot of character-building. My kids didn’t care. The images and ideas were perfectly-paced for them. I can see how this book has captured their imaginations, even if I felt it could have been written better. A surprise little-kid hit.
Kid’s Rating – 5 stars
Mom’s Rating – 3 stars
Strip-style comics about a group of friends doing pretty ordinary things. These are funny, I guess – funnier to the kids than me. I found the comic a bit mean. The characters are all sort of jerks to each other. My kids don’t care. They think these are hilarious. The friends never seem to really hold any grudges and they do all kinds of interesting things together… so I guess I should chill out about their jerkiness. Maybe that’s just “real.” Anyway, I’m torn on this one. The kids love it but the interactions leave a bad taste in my mouth.
Kid’s Rating – 5 stars
Mom’s Rating – 4.5 stars
This was an unexpected hit. This is the story of a “lame” monster who lacks the self confidence to monster properly. The town he is meant to be terrorizing is pretty disappointed in him and send up a doctor to “fix” him. Adventures ensue.
Author Rob Harrell is probably better known for having inherited the abjectly terrible daily syndicated strip, Adam @ Home, which immediately put me at my guard. But the art in Monster is so lush and the world so fantastically fun that my reservations were swept away. The humour is occasionally pretty lame in a way that was over the kids’ head, but it didn’t distract too badly. My only major complaint is the total lack of any female characters at all. The kids have no complaints and have read this thing into the ground.
Kid’s Rating – 4 stars
Mom’s Rating – 3 stars
Gon is a wordless comic (like Andy Runton’s popular Owly) about a baby dinosaur in our own world, living in various biomes and befriending and/or terrorizing the animals there. My elder child, obsessed with nature and animals, loves these to pieces. They are gorgeously-drawn and expressive, featuring lots of really interesting real-life animals we never see.
On the other hand, I find wordless comics – even Owly – exhausting to “read” to the kids. These are dramatic performances, not readings. I look forward to my kids being willing to sit alone with these, rather than wanting my involvement.
Kid’s Rating – 4+ stars
Mom’s Rating – 3-4 stars
Okay, not exactly high literature, here. But it would be misleading for me to suggest my kids are reading all these great books without owning up to the fact that we have read 10+ volumes of pony comics to pieces over the last two years. They love them. They can’t get enough of them. They rush to the pony shelf first thing when we get to the comic shop. Le sigh.
But, okay, as far as mainstream brands go, MLP is really not bad. The “mane six” ponies are well-developed, strong, interesting characters with relatable strengths and weaknesses. They go on incredibly epic adventures of every conceivable kind. The comics give more nods to adult readers than the cartoons do – they are probably written for the adult fan base, not younger kids. Lots of visual geek gags including some incredibly meta Discord/Q (from Star Trek) jokes. MLP’s major weakness is a big racial blind spot (yah yah, the ponies are a rainbow of colours. But they are also all white. Zecora the Magic Negro Pony is a zebra and there are indigenous bison. The clear implication is that ponies are white, white, white.) Later seasons of the cartoon have tried to de-white the state of ponyness, but it’s still pretty lame.
But wait, there’s more! A lot more. If you’ve fallen out of touch with comics and think Marvel/DC is all there is to offer, I really recommend you get yourself to a comic book shop – any comic book shop – with haste. I’ve barely scratched the surface of what we have on my kids’ bedstand here, let alone what is available in stores. Some of the most imaginative work in any genre is being done in this medium, in my humble opinion. It’s worth catching up.